![]() ![]() Something of a torture test in more ways than one. The array was too wide for my 645 55 lens at full column extension, so I had to use the DFA 35. The curator assisted by a conservator and the designer arranged all of this on a sheet of foam core, and the whole bit was wheeled into the photo lab and shot on a large motorized copy stand using high cri color adjustable LED lights, but no polarization. They cooked up the idea to have a 1:1 image of the contents as a photo background on which individual bits could be rotated and laid on top in proper position, preserving an exact 1:1 correlation between image and artifacts. The designers and curator of the exhibition wished to have a way to display the contents during the exhibition, but this requires constant rotations as the materials cannot be exposed to even the low FC levels of the museum. These boxes contain assembled notes for his work. Two of these are iterations of "The Green Box" and "The White Box". ![]() The Hirshhorn Museum in Washington DC will be mounting an exhibition of a gift of Marcel Duchamp's ephemera and smaller objects/multiples. But I can tell you what I was asked to do and did. I can't show you the images, unfortunately due to contract restrictions. I trialed and then purchased Gigapixel AI for a professional project with very demanding specs. ![]()
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